Tuesday 26 August 2008

Rage Against The Machine wear Guantanamo Bay-style clothes at Reading Festival

Rage Against The Machine headlined the Main Stage at Reading Festival tonight (August 22) in dramatic fashion, arriving on stage dressed in Guantanamo Bay prisoner-style clothes.


The band, world Health Organization headlined here in 1996 and last appeared hither in 2000, came onstage dressed as prisoners of war, complete with bags over their heads and matching kettle suits, launching straight into 'Bombtrack'.


Despite non being able to watch what they were playing for the entire song due to their headwear, the band played a note-perfect rendering of the song.


Shortly after finishing 'Bombtrack' the lights on stage went down and the band reappeared to play the rest of their set - in normal clothes.


The immense audience was treated to the likes of 'Testify', 'Bullet In Your Head' and 'Wake Up'.


Frontman Zack de la Rocha too took the opportunity to make a speech slamming George Bush and Tony Blair � saying that both should be tried and true for state of war crimes.


The band finished their set by playing an encore of 'Freedom' and their favorite track 'Killing In The Name' to close the first day of Reading Festival 2008.

'Bombtrack'

'Testify'

'Bulls On Parade'

'People Of The Sun'

'Know Your Enemy'

'Bullet In Your Head'

'Born Of A Broken Man'

'Guerrilla Radio'

'Ashes In The Fall'

'Calm Like A Bomb'

'Sleep Now'

'Wake Up'

'Freedom'

'Killing In The Name'



NME.COM is delivery you live coverage square from both sites of the Reading And Leeds Festivals 2008. For the latest news, blogs, pictures and video interviews top dog to the Reading And Leeds Festivals index now.


Plus make sure you get next week's issue of NME - on newsstands nationwide from Wednesday August 27 - for the ultimate Reading And Leeds Festivals review.


For more Reading And Leeds Festivals coverage including live footage and more, call in fellow official media better half bbc.co.uk/readingandleeds.



Aug 23, 2008 at Bramham Park, Leeds -

More Rage Against The Machine tickets




More info

Sunday 17 August 2008

Jerry Wexler, rhythm 'n' blues pioneer, dies aged 91



Jerry Wexler, the invisible force behind some of the legends of American 20th century music, died yesterday from congestive heart failure. He was 91.



It was ne'er his rima oris at the mic or his fingers on the keyboard or guitar string section, but as a producer, record-label possessor and diary keeper, he supervised recordings by the likes of Ray Charles, Aretha Franklin and Bob Dylan.


It was piece working as a reporter for Billboard magazine in New York in the late Forties that Wexler, the boy of an immigrant window washer, coined the term "rhythm method of birth control and blues", to describe a new sound coming out of black America in the Deep South and Detroit, as a more palatable alternative to what, until then, had been tagged as "

Thursday 7 August 2008

Aphrodite

Aphrodite   
Artist: Aphrodite

   Genre(s): 
Drum & Bass
   Electronic
   



Discography:


Deadly Valley (Vinyl)   
 Deadly Valley (Vinyl)

   Year: 2007   
Tracks: 2


Siberia / London Massive   
 Siberia / London Massive

   Year: 2005   
Tracks: 2


Twilight (Remix Vinyl)   
 Twilight (Remix Vinyl)

   Year: 2004   
Tracks: 2


Boomtown / Beefcake   
 Boomtown / Beefcake

   Year: 2004   
Tracks: 2


Aphrodite (APH46)   
 Aphrodite (APH46)

   Year: 2004   
Tracks: 2


Aphrodite (APH45)   
 Aphrodite (APH45)

   Year: 2004   
Tracks: 2


Aphrodite (APH44)   
 Aphrodite (APH44)

   Year: 2004   
Tracks: 2


See Thru It Ep   
 See Thru It Ep

   Year: 2003   
Tracks: 3


See Thru It CDS   
 See Thru It CDS

   Year: 2002   
Tracks: 3


Live at Mannheim KOTJ   
 Live at Mannheim KOTJ

   Year: 2002   
Tracks: 2


Aphrodite volume 3   
 Aphrodite volume 3

   Year: 2002   
Tracks: 14


Aphrodite volume 1   
 Aphrodite volume 1

   Year: 2002   
Tracks: 15


Aphrodite Sound vol 2 (mixed by Aphrodite)   
 Aphrodite Sound vol 2 (mixed by Aphrodite)

   Year: 2002   
Tracks: 15


Aphrodite Sound vol 1   
 Aphrodite Sound vol 1

   Year: 2002   
Tracks: 16


Aftershock   
 Aftershock

   Year: 2002   
Tracks: 18


The Takeover Bid   
 The Takeover Bid

   Year: 2001   
Tracks: 13


Live in Sweden   
 Live in Sweden

   Year: 2000   
Tracks: 1


A Coupla Trickz   
 A Coupla Trickz

   Year: 2000   
Tracks: 7


Urban Jungle   
 Urban Jungle

   Year: 1999   
Tracks: 16


Live from Atlanta CD2   
 Live from Atlanta CD2

   Year: 1999   
Tracks: 17


Live from Atlanta CD1   
 Live from Atlanta CD1

   Year: 1999   
Tracks: 15


Aphrodite   
 Aphrodite

   Year: 1999   
Tracks: 15


Atmospheric Drum and Bass Vol.2 CD2   
 Atmospheric Drum and Bass Vol.2 CD2

   Year: 1998   
Tracks: 13


Atmospheric Drum and Bass Vol.2 CD1   
 Atmospheric Drum and Bass Vol.2 CD1

   Year: 1998   
Tracks: 14


Live from Atlanta (CD 1)   
 Live from Atlanta (CD 1)

   Year:    
Tracks: 15




Aphrodite's Gavin King is one of the regnant, well, kings of jump-up expressive way jungle, a sparse, high-energy offshoot of drum'n'bass intentional for maximum dancefloor encroachment. With tracks propelled by round-eyed, peal drum loops, vast, warbling basslines, and scores of chopped-up





The Redwalls

Monday 30 June 2008

Tony Trischka

Tony Trischka   
Artist: Tony Trischka

   Genre(s): 
Country
   



Discography:


Solo Banjo Works   
 Solo Banjo Works

   Year: 1995   
Tracks: 24




The van banjo sylings of Tony Trischka elysian a solid generation of progressive bluegrass musicians; he was not merely considered among the selfsame best pickers, he was likewise one of the instrument's top teachers, and created numerous instructional books, teaching video tapes and cassettes.


A native of Syracuse, New York, Trischka's interest in banjo was sparked by the Kingston Trio's "Charlie and the MTA" in 1963. Two age later, he united the Down City Ramblers, where he remained through 1971. That class, Trischka made his transcription debut on 15 Bluegrass Instrumentals with the band Country Cooking; at the same time, he was also a member of Country Granola. In 1973, he began a biennial least sandpiper with Breakfast Special. Between 1974 and 1975, he recorded deuce solo albums, Bluegrass Light and Heartlands. After one more than solo album in 1976, Banjoland, he went on to become musical drawing card for the Broadway show The Robber Bridegroom. Trischka toured with the show in 1978, the year he also played with the Monroe Doctrine.


Start in 1978, he besides played with artists such as Peter Rowan, Richard Greene, and Stacy Phillips. In the early 1980s, he began recording with his novel group Skyline, which recorded its first-class honours degree record album in 1983. Subsequent albums included Automaton Plane Flies all over Arkansas (solo, 1983), Stranded in the Moonlight (with Skyline, 1984) and Hill Country (solo, 1985). In 1984, he performed in his first base feature plastic film, Foxfire. Three age later, he worked on the soundtrack for Driving Miss Daisy. Trischka produced the Belgian group Gold Rush's No More Angels in 1988. The following year, Skyline recorded its final record album, Fire of Grace. He also recorded the radical birdsong for Books on the Air, a popular National Public Radio Show, and continued his tie-up with the electronic network by coming into court on Garrison Keillor's Prairie Home Companion, Lot Stage, From Our Front Porch, and other radio shows. Trischka's solo recordings include 1993's Earth Turning, 1995's Glory Shone Around: A Christmas Collection and 1999's Crimp. New Deal followed in 2003. The new studio record album was a bluesy adaptation of bluegrass standards that featured, among other things, a vocal cameo by Loudon Wainwright. Double Banjo Bluegrass Spectacular, featuring an appearance by comic Steve Martin, came kO'd tetrad age afterwards.






Wednesday 25 June 2008

Judas Priest Hope Nostradamus LP Proves 'There's More To Heavy Metal Than Burning Babies'




Concept albums seem to be all the rage these days, with bands as diverse as Mastodon and Coheed and Cambria churning out eccentric records that challenge listeners to actually pay attention and follow the story the music is trying to tell.

Releasing a concept LP has been something that venerated, leather-fancying heavy-metal outfit Judas Priest have wanted to check off their to-do list for some time now, but for years, the British band — fronted by Rob Halford — couldn't decide which topic, character or time period to tackle on tape.

"After the last album, [2005's] Angel of Retribution, we wanted to do something different," guitarist Glenn Tipton told MTV News. "We've never rested on our laurels and made the next album the same as the last but with different lyrics, which a lot of bands, I think, have fallen into the trap of doing, knowing they'll sell X amount of records per year. We really wanted to try doing a concept album, and we'd been talking about it for a while. Our manager, Bill Curbishley, suggested Nostradamus."

After researching the life of the 16th-century French apothecary, a reputed prophet, the members of Priest started digging their manager's suggestion and decided they'd tell Nostradamus' life story on their next record. The appropriately titled Nostradamus just hit record stores.

"He was a very mystical character and came up with all these predictions, but he suffered tragedy in his life too," Tipton said. "He lost his wife and daughters to the plague, and then the Church came after him and exiled him from France. Then he found a new life and a new beginning. He was just a mysterious and very intriguing character, and he inspired us to put this work together."

The LP — which features 24 tracks spread across two discs — chronicles Nostradamus' entire life, "both musically and lyrically," from his birth to his death, Tipton said. But Nostradamus is something of an unconventional offering from Priest, as it includes string arrangements, keyboard orchestration and Halford's multilingual vocals (in addition to English, he sings in French and Italian).

"We tried to put a lot of character into the album," Tipton explained. "But it was a challenge for us — it was such a big project. We wrote so much material, and in the end, to tell the story properly, we had to use all of it. The challenge wasn't so much in the composition as in putting it together, so it was fluid [and] told a story from start to end. It also had to make sense musically, to flow as one continuous piece. It's an event — it isn't just a CD — and that's the way we wanted to present it.

"We're asking people not to put one or two tracks on, but to step into the world of Nostradamus," he continued. "That's the way we wrote it, so that the listener could step out of this world and go on this journey with Nostradamus. The album's full of light and shade, blood and thunder, and it's got a lot of melody. A couple of the tracks are very different from what we've done before, but it's still Priest. With this album, we want people to see that there's more to heavy metal than burning babies."

This summer, Judas Priest will hit the road — joined by Testament, Motörhead and Heaven and Hell — for a trek that launches July 22 in Seattle and wraps September 1 in Las Vegas. Priest plan on playing at least three songs from the new album during the tour. Early next year, however, the band hopes to return to the States for a different kind of trek: Tipton said Priest want to perform the entire disc live, incorporating various stage elements into the set. He added that details for that run are still being worked out.

Though they still come out with fresh experiments like this one, Priest have been banging their heads for more than three decades. But the veterans have never been considered for inclusion in the Rock and Roll Hall of Fame, despite being eligible since 1999. Tipton said it's an honor the band would welcome but one he doesn't expect anytime soon.

"We'd absolutely be honored by it, but we have no control over that," he said. "Besides, we haven't been noticed for 30 years. Maybe they'll notice us now that we've crossed that 30-year mark."






See Also

Monday 16 June 2008

Christopher Short and Vir Unis

Christopher Short and Vir Unis   
Artist: Christopher Short and Vir Unis

   Genre(s): 
Ambient
   



Discography:


The Yellow House   
 The Yellow House

   Year: 2002   
Tracks: 6




 





McFerrin, Bobby and Chick Corea

Wednesday 4 June 2008

Green Man Festival Launch Band Competition

Organisers of the Green Man Festival are looking for one more band to open the event and they are holding a special contest to find said act.


Billed as Green Poll, bands - either signed or unsigned - can register at this site. From there, the public will vote the bands they like and get a chance to win a pair of tickets.


The group with the highest number of votes will get to open Green Man - as attended by 10,000 music fans. The winners also get 6 extra tickets.


The Green Man Festival is held on 15th, 16th and 17th August 2008, with bands like Spiritualized, Super Furry Animals, Fuck Buttons, Pentangle, Caribou and more set to perform - read this article for the full line-up.




See Also